“It was just taking different roots into understanding the psychology of the character, where the layers were shifting internally,” he said.īuilding the ‘Dead Ringers’ Prosthetic Babies Wasn’t an Easy Delivery One of those people is Jane Campion, the director of “ The Power of the Dog.” In the role of hardened Montana rancher owner Phil Burbank, who bullies the young wife (Kirsten Dunst) of his soft-spoken brother (Jesse Plemons), Cumberbatch channels the clash of outward nastiness and emotional fragility that Campion has probed ever since her 1989 debut “Sweetie,” especially as his character’s mean-spirited behavior gives way to hints of sexual frustration and loneliness. But now it’s much more about the people I get to work with.” “I didn’t want to keep turning up as fast-talking posh English people. “It used to be just about challenging expectations and trying to do something unconventional to keep myself fresh, because of the amount of exposure I’ve had,” he said in a recent interview with IndieWire. Over the past decade, one that has found Benedict Cumberbatch catapulting from global stardom as Sherlock Holmes to Doctor Strange, his personal edict has changed.
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